The Portrayal of Otherworldly Spaces

One of the main motivations, which prompt people to read fiction-novels and to watch movies, which contain the motifs of otherworldliness, is the fact that, while being exposed to these literary and cinematographic works, individuals are being often able to confirm the validity of their unconscious anxieties, as to what accounts for the true essence of a surrounding reality.Advertising We will write a custom essay sample on The Portrayal of Otherworldly Spaces specifically for you for only $16.05 $11/page Learn More In its turn, this usually helps people to attain the sensation of an ‘existential wholesonmess’ – when they come in a close touch with a number of socially suppressed truths about what may be considered the actual significance of their life-experiences. The Freudian concept of ‘uncanny’ comes in particularly handy, when it comes to discussing the significance of fictitious representations of otherworldliness, â€Å"An uncanny experience occurs either when infantile complexes which have been repressed are once more revived by some impression, or when primitive beliefs which have been surmounted seem once more to be confirmed† (Freud 57). Therefore, it makes a perfect logical sense to discuss these representations as such that are being reflective of the workings of people’s unconscious psyche. In this paper, I will aim to do just that, in regards to the motifs of otherworldliness, which can be found in George Lucas’s 1977 film Star War: A New Hope and Steven King’s 1977 novel The Shining. The foremost aspect of how the unworldly reality is being depicted in Lucas’s movie is the fact that, while being exposed to it, viewers are being prompted to establish dialectical links between what they get to see on the screen and what accounts for the essence of their socialization-related experiences, in a real life. The validity of this statement can be well illus trated in relation to the film’s scene, in which the characters of Luke Skywalker (Mark Hamill) and Obi-Wan Kenobi (Alec Guinness) end up confronting aliens and mutated humans in the bar, on the planet of Tatooine (00.46.37). Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More There can be few doubts as to the fact that there are strongly defined motifs of the Freudian ‘uncanny’ to this particular scene, because it relates to the White viewers’ unconscious fear of multiculturalism. After all, it does not represent much of a secret that even many open-minded Whites in Western countries, where the policy of multiculturalism had attained an official status, do not exhibit much of an enthusiasm, while being required to take an active part in the ‘celebration of diversity’. Hence, their tendency to prefer residing in a racially secluded ‘white suburbiaâ€⠄¢, as opposed to residing amidst the representatives of racial minorities in ethnic ‘ghettos’. Therefore, while exposed to the scene, in which the alien-looking representatives of an ‘intergalactic scum’ are picking upon the characters of Luke Skywalker and Obi-Wan Kenobi, many viewers confirm the validity of their rationally suppressed fear of venturing in places, where ethnically diverse individuals can be found in particularly large numbers. There are two mutually exclusive aspects of how people experience the ‘uncanny’ – they are being simultaneously encouraged and discouraged to rationalize their unconscious anxieties, in regards to the potential dangers of the unknown. Apparently, Steven King was well aware of it, which is why he used to say that it is being in the very nature of just about every individual to expect that even thoroughly conventional settings conceal subliminal horrors. Therefore, it does not come as a particular surprise that King’s novel contains scenes, in which Danny’s otherworldly daydreaming becomes ‘uncanny’ to an extent that readers simply cannot help but having their attention solely focused on the plot’s unraveling – quite contrary to the fact that they do realize that what they are about to read may well scare them to death.Advertising We will write a custom essay sample on The Portrayal of Otherworldly Spaces specifically for you for only $16.05 $11/page Learn More For example, there is a memorable scene in the novel when Danny is having a vision of streams of blood starting to pour down on the floor out of the elevator doors (King 161). This scene’s ‘uncanny’ appeal is being concerned with the fact that the author was able to take a certain advantage of the readers’s subliminal tendency to associate the color red with blood. Therefore, even though readers do get to experience a cert ain horror, while being exposed to this scene, on an unconscious level, they nevertheless do not perceive the concerned plot’s twist as being thoroughly unrealistic. This is because, prior to having this vision, Danny stared at the red-colored elevator doors for a long time. Yet, the prolonged staring at ominously looking red doors can never bring any good – people’s unconscious psyche never ceases being aware of it. The fact that the portrayal of otherworldly spaces in movies serves the purpose of prompting viewers to come to terms with their fear of the unknown can also be explored in regards to another scene in Lucas film, in which Luke Skywalker, Princess Lea (Carrie Fisher) and Han Solo (Harrison Ford) find themselves trapped in the Imperial spaceship’s garbage-compartment (01.21.43). While there, they realize that is a some kind of dangerous creature is lurking underneath the murky water. Yet, even though that a good part of the concerned action in volves all three characters trying to figure out what they are being faced with, the creature never shows itself. The only part of this creature that viewers get to see is its tentacle. This, of course, results in the intensification of viewers’ fears of the unknown even further, because it is specifically the unknown types of danger, which people tend to perceive as being particularly dangerous. It appears that by exposing viewers to this particular scene, Lucas was able to strengthen the acuteness of their ‘uncanny’ experiences, which in turn increased the film’s cinematographic appeal rather dramatically – in full accordance with Freud’s outlook on the subject matter.Advertising Looking for essay on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More The same can be said about the scene in King’s novel, in which Danny realizes the fact that his nightmares of being chased by a person with an ax in his hands were bound to come to reality, â€Å"It was the place he had seen in the midst of the blizzard†¦ The place Tony had warned him against. It was here. It was here. Whatever Redrum was, it was here† (69). The clearly ‘uncanny’ undertones to Danny’s earlier mentioned realization are being thoroughly apparent, because the author made a deliberate point in emphasizing the unknown subtleties of Redrum, which in turn increased the extent of this scene emotional intensity. Apparently, King wanted readers to remain in the state of suspense, for as long as possible. This is the reason why, every time the novel’s characters come in a close touch with the emanations of otherworldliness, they can never they can never grasp the true significance of their experiences, in this respect. The manner i n which Freudian ‘uncanny’ is being explored in movies that contain strongly defined otherworldly motifs, often serves the purpose of allowing viewers to experience the sensation of Dà ©jà   vu. In its turn, this strengthens the extent of their commitment to perceiving the plot’s unraveling as such that does in fact relate to their own positioning in life. For example, there are a number of scenes in Lucas’s film, in which Imperial officers act in a particularly cold-blooded manner, while refusing to consider other people’s feelings. These scenes, of course, were meant to trigger in viewers the same set of emotions that they get to experience, while reflecting upon the historical legacy of Nazi Germany. Therefore, it is not a pure coincidence the Imperial officers’ uniforms resemble those that used to be worn by Nazis – especially riding breeches, as seen on the screenshot below. Apparently, the director did strive to prompt viewers to construct their attitude towards the representatives of the ‘dark side’, in regards to what accounted for the discursive significance of Imperial soldiers’ physical appearance and the qualitative essence of their psychological inclinations. In its turn, this explains the popularity of this film’s most otherworldly character – Darth Vader. Even though that, throughout the movie’s entirety, Darth Vader rarely talks, viewers nevertheless are able to get a good clue, as what kind of an individual he really is. The reason for this is quite apparent – despite the character’s otherworldly appearance, people can well recognize him as a person who represents currently suppressed (due to considerations of political correctness), but discursively legitimate masculine virtues of loyalty and cold-heartedness. Essentially the same line of reasoning can be applied, when it comes to discussing the significance of Dà ©jà   vu–invoki ng scenes in King’s novel, concerned with otherworldliness. The scene, in which the character of Jack Torrance walks in the ballroom, filled with the ghosts of people that were alive during the Great Depression, exemplifies the point. This is because, the appearance of these ghosts (or mental constructs, which existed solely within Jack’s brain) cannot be discussed outside of the fact that the era of the Great Depression has been traditionally associated with the notion of moral depravity, â€Å"A woman in gauzy harem pants and a rhinestone-sparkled brassiere, a man with a foxhead rising slyly out of his evening dress, a man in a silvery dog outfit who was tickling the nose of a woman in a sarong with the puff on the end of his long tail† (405). What it means is that, even before Jack turns into a bloodthirsty psycho, the earlier mentioned scene provided readers with an unconsciously-felt indication that this eventual development was indeed bound to occur. Appar ently, while being prompted to construct images of fancifully dressed people drinking and laughing, readers get to experience a Dà ©jà   vu sensation that there is something utterly short-lived about these partying individuals. After all, on an unconscious level, we all know that the intensity of a particular sensual pleasure corresponds to the extent of this pleasure’s lengthiness in a counter-geometrical progression. Thus, the portrayal of an otherworldly space in this particular scene was meant to confirm the validity of readers’ growing suspicion that Jack was actually on the path of a mental self-destruction. Works Cited Freud, Zigmund. The Uncanny, London: Penguin Books Limited, 2003. Print. King, Steven. The Shining, New York: Gallery Books, 2002. Print. Star Wars Episode IV: A New Hope. Ex. Prod. George Lucas: 20th Century Fox. 1977. DVD. This essay on The Portrayal of Otherworldly Spaces was written and submitted by user Graysen Floyd to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Franz von Hipper in World War I

Franz von Hipper in World War I Franz von Hipper - Early Life Career: Born in Weilheim in Oberbayern, Bavaria on September 13, 1863, Franz Hipper was the son of shopkeeper Anton Hipper and his wife Anna. Losing his father at age three, Hipper commenced his education in 1868 at school in Munich before moving to a gymnasium five years later. Completing his education in 1879, he entered the military as a volunteer officer. Later in the year, Hipper elected to pursue a career in the Kaiserliche Marine and traveled to Kiel. Passing the required exams, he began his training. Made a probationary sea cadet on April 12, 1881, Hipper spent the summer on the frigate SMS Niobe. Returning to the Naval Cadet School in September, he graduated in March 1882. After attending gunnery school, Hipper commenced training at sea with time aboard the training ship SMS Friedrich Carl and a world cruise aboard SMS Leipzig. Franz von Hipper - Young Officer: Returning to Kiel in October 1884, Hipper spent the winter attending the Naval Officer School before being appointed to oversee the training of recruits in the First Naval Battalion. The following fall, he passed through the Executive Officer School. After spending a year with a coastal artillery unit, Hipper received an appointment at sea as an officer aboard Friedrich Carl. Over the next three years, he moved through several ships including the armored frigate SMS Friedrich der Grosse. Hipper returned to the ship in October 1891 after completing the Torpedo Officer Course aboard SMS Blà ¼cher. After additional assignments afloat and ashore, he became senior watch officer aboard the new battleship SMS Wà ¶rth in 1894. Serving under Prince Heinrich, Hipper was promoted to senior lieutenant and awarded the Bavarian National Defense Service Medal the following year. In September 1895, he took command of the Second Torpedo-boat Reserve Division. Franz von Hipper - Rising Star: Ordered to SMS Kurfà ¼rst Friedrich Wilhelm in October 1898, Hipper remained on board for nearly a year before landing a choice assignment aboard the royal yacht SMY Hohenzollern. In this role, he attended Queen Victorias funeral in 1901 and received a number of ceremonial decorations. Promoted to lieutenant commander on June 16, 1901, Hipper assumed command of the Second Torpedo Unit the following year and flew his flag from the new cruiser SMS Niobe. Made a commander on April 5, 1905, he attended the Cruiser and Battleship Gunnery Schools in early 1906. Briefly taking command of the cruiser SMS Leipzig in April, Hipper then shifted to the new cruiser SMS Friedrich Carl in September. Turning his vessel into a crack ship, Friedrich Carl won the Kaisers Prize for best shooting in the fleet in 1907. Promoted to captain on April 6, 1907, Hipper was dubbed an Imperial Captain by Kaiser Wilhelm II. In March 1908, he assumed command of the new cruiser SMS Gneisenau and oversaw its shakedown cruise and training of the crew prior to its departure to join the German East Asia Squadron in China. Leaving the ship later in the year, Hipper returned to Kiel and spent three years overseeing the training of torpedo boat crews. Returning to sea in October 1911, he became captain of the cruiser SMS Yorck four months before being appointed chief of staff to Rear Admiral Gustav von Bachmann, the Deputy Flag Officer, Reconnaissance Forces. On January 27, 1912, following von Bachmanns promotion to command of the High Seas Fleets scouting forces, Hipper was promoted to rear admiral and made deputy commander. Franz von Hipper - World War I Begins: When Bachmann departed for the Baltic in 1913, Hipper assumed command of I Scouting Group on October 1. Containing the High Sea Fleets battlecruisers, this force possessed a mix of power and speed. Hipper was in this post when World War I began in August 1914. On the 28th of that month, he sortied with part of his force to support German vessels during the Battle of Heligoland Bight but arrived too late to take part in the action. In early November, Hipper was directed by High Seas Fleet commander Admiral Friedrich von Ingenohl to take three battlecruisers, a cruiser, and four light cruisers to bombard Great Yarmouth. Attacking on November 3, he shelled the port before withdrawing back to the German base in the Jade Estuary. Franz von Hipper - Battling the Royal Navy: Due to the success of the operation, a second attack was planned for early December with the bulk of the High Seas Fleet sailing in support. Striking Scarborough, Hartlepool, and Whitby on December 16, Hippers squadron, which had been augmented by the new battlecruiser Derfflinger, bombarded the three towns and inflicted numerous civilian casualties earning the admiral the sobriquet baby killer. Having broken the German naval codes, the Royal Navy dispatched Vice Admiral Sir David Beatty with four battlecruisers and six battleships to intercept Hipper on his return voyage to Germany. Though Beattys ships arrived in position to trap the enemy, signaling errors prevented the plan from being executed and Hipper was able to escape. In January 1915, Ingenohl directed Hipper to take his force to clear British vessels from the area around Dogger Bank. Alerted to German intentions by signals intelligence, Beatty again attempted to destroy Hippers ships. In the Battle of Dogger Bank on January 24, the two sides engaged in a running battle as the German commander attempted to escape back to base. In the fighting, Hipper saw Blà ¼cher sunk and his flagship, SMS Seydlitz severely damaged. Blame for the defeat fell to Ingenohl rather than Hipper and he was replaced by Admiral Hugo von Pohl the following month. Falling ill, Pohl in turn was replaced by Vice Admiral Reinhard Scheer in January 1916. Two months later, Hipper, suffering from exhaustion, requested sick leave. This was granted and he remained away from his command until May 12. Franz von Hipper - Battle of Jutland: At the end of the month, Scheer sortied with bulk of the High Seas Fleet in the hope of luring out and destroying part of the British Grand Fleet. Aware of Scheers intentions via radio intercepts, Admiral Sir John Jellicoe sailed south from Scapa Flow with the Grand Fleet while Beattys battlecruisers, augmented by four battleships, steamed in advance. On May 31, Hipper and Beattys forces met in the opening phases of the Battle of Jutland. Turning southeast to lure British battlecruiser towards the guns of the High Seas Fleet, Hipper engaged in a running battle. In the fighting, his command sank the battlecruisers HMS Indefatigable and HMS Queen Mary. Spotting the danger posed by Scheers approaching battleships, Beatty reversed course. In the fighting, the British inflicted severe damage on Hippers ships but failed to score any kills. As the battle continued, the German battlecruisers sank HMS Invincible. As the main fleets engaged, critical damage to his flagship, SMS Là ¼tzow, forced Hipper to transfer his flag to the battlecruiser Moltke. Attempting to maintain his forces station for the remainder of the battle, Hipper saw his badly damaged battlecruisers compelled to limp back to Germany after Scheer was able to evade the enemy during the night. For his performance at Jutland he was awarded the Pour le Mà ©rite on June 5. With his squadron crippled, Hipper received command of large detachment of the High Seas Fleet following the battle. Over the next two years, the High Seas Fleet remained largely inactive as it lacked the numbers to challenge the British. When Scheer ascended to become Chief of the Naval Staff on August 12, 1918, Hipper took command of the fleet. Franz von Hipper - Later Career: With German forces on the Western Front reeling, Scheer and Hipper planned a final effort for the High Seas Fleet in October 1918. After mounting attacks on the Thames Estuary and Flanders, the fleet would engage the Grand Fleet. As ships were concentrating at Wilhelmshaven hundreds of sailors began to desert. This was followed by several mutinies beginning on October 29. With the fleet in open revolt, Scheer and Hipper had no choice but to cancel the operation. Going ashore on November 9, he watched as the fleet departed for internment at Scapa Flow later that month. With the end of the war, Hipper asked to be placed on the inactive list on December 2 before retiring eleven days later. After evading German revolutionaries in 1919, Hipper retired to a quiet life in Altona, Germany. Unlike many of his contemporaries, he elected not to write a memoir of the war and later died on May 25, 1932. Cremated, Hippers remains were buried in Weilheim in Oberbayern. The Nazi-era Kriegsmarine later named a cruiser Admiral Hipper in his honor. Selected Sources First World War I: Franz von HipperFranz Ritter von Hipper History Today: Franz von Hipper

How To Say Never in Spanish

How To Say 'Never' in Spanish Spanish has two common adverbs that mean never and they can almost always be used interchangeably, the words nunca and  jams. Most Common Way to Say Never The most common way to say never is nunca. It comes from the Old Spanish word nunqua, which entered the language from the Latin word for never, numquam. Spanish Sentence English Translation Nunca olvidarà © Madrid. I'll never forget Madrid. Brittany y Pablo nunca fueron amigos. Brittany and Pablo were never friends. El presidente no ha hablado nunca a favor de imponer sanciones. The president never has spoken in favor of imposing sanctions. Nunca quiero que llegue ese dà ­a. I never want that day to come. Slightly More Emphatic Way to Say Never Less used, and perhaps a bit stronger than nunca, is the word  jams, also meaning never.  Jams could be substituted in place of the word  nunca.   Spanish Sentence English Translation Es el mejor libro jams escrito. It's the best book never written. Jams pienso en la muerte. I never think about death. Jams imaginà © que llegarà ­a este dà ­a. I never imagined this day would come. Quiero dormirme y no despertarme jams. I want to fall asleep and never wake up. When Never to Use Jams One of the very few times you cannot substitute jams for nunca is in the phrases ms que nunca and menos que nunca, which mean more than ever or less than ever. For example,  Mi hermano gasta ms que nunca, which means, My brother is spending more than ever. Double Negative Never Spanish is very comfortable with double negative sentence construction, unlike English, which shuns it. When nunca or jams follows the verb that it modifies, use a double negative sentence construction. Spanish Sentence English Translation No he visto a nadie jams tan malo. I have never seen anyone so bad. No discutas nunca con un imbà ©cil, te har descender a su nivel. Never discuss anything with an idiot; he will bring you down to his level. Never Ever in Spanish Also, nunca and jams can be used together to reinforce their meanings, or strengthen the feeling, much like never, never or never ever in English.   Spanish Sentence English Translation Nunca jams vayamos a aceptar una dictadura militar. Never, ever are we going to accept a military dictatorship. Nunca jams hablà © con nadie de esto. Never, no, never have I spoken with anybody about this. Colloquial Expressions That Mean Never There are several figurative expressions that mean never that do not use the words nunca or jams.   Spanish Phrase English Translation  ¿en serio?;  ¡no puede ser! Never! or You never did! no lleguà © a ir I never went no contaba con volverlo a ver I never expected to see him again no importa; no te preocupes Nevermind ni uno siquiera Never a one  ¡no me digas!;  ¡no me lo puedo creer! Well, I never! no dijo ni una sola palabra Never a word [did he say]

Christianity in Japan Term Paper Example | Topics and Well Written Essays - 3000 words

Christianity in Japan - Term Paper Example Missionaries who enter the nation appear to be unaware of this reality, so many of them may continue to use similar strategies applied in non-Japanese cultures. Their failure to take into account the perspectives and inclinations of the people of Japan may explain why so few Christians exist in the country and why the church has grown by only minuscule levels in this part of the world. In the early seventeenth century, Japan underwent a unification process in which they created a politically stable system for over 200 years. This need for stabilization came after prolonged periods of civil strife starting from the 12th to the 16th century under the leadership of the shogun, which was a military governor. The shogun was a representative of the Japanese emperor and had much political power; in fact, many argue that the emperor was a mere symbol as the real ruler was the shogun. The shogun also had retainers who got property and political control for offering military services, but this arrangement would prove to be ineffective as the two parties often conflicted amongst themselves. By the 16th century, it became clear that the system was unsustainable as it led people to enter into war amongst themselves (Reader 39). This civil war led political leaders to seek unification among various states through the efforts of military representatives; the process would lead to a series of social and cultural processes as well. The remaining chieftain in 1600 to 1616 was known as Tokugawa bakufu - a temporary military government – that had shoguns. These shoguns wanted to prevent civil war using the daimyo who were strong property owners found throughout the country. Daimyo also had their own schools, judiciary and military representatives within their territories; several of them worked on expanding their economies by foreign relationships with foreigners. They acquired the skill of weapons manufacture from European travelers and purchased firearms as well

Intermediate accounting Essay Example | Topics and Well Written Essays - 750 words

Intermediate accounting - Essay Example This is because the problems with livestock market are seasonal and past experience and solutions largely serve as guiding principles for present and even the foreseeable future anomalies. Three Little Pigs Inc. is a public entity with three types of inventories viz. live hogs ready for sale, developing animals, and processed pork products consisting of loins, ham and bacon. The Company maintains live hogs and processing plants at various locations. Also, there are live hogs in some locations which cannot be easily transported and processed at the Company’s main processing plants, and, as a result, these live hogs have to be sold to third parties at spot market prices. The current problem the management is facing is the result of spot market prices for live hogs that have declined. The causes mentioned for the decline are not specific except the capture of the â€Å"Big Bad Wolf.† Whatever the reasons, they are strong enough to bring about a decline in prices due to surplus production. However, the management led by its CEO, Farmer Joe, is confident of a turnaround during the third and fourth quarters of the year with a specifically good projection for the last quarter. The management is also positive that the total revenues for the pork products and total revenues for sale of live hogs to third parties, based on current spot prices, will be favorable enough to offset losses incurred due to price decline in the second quarter. Due to the slump in the second quarter, the management is of the view that there may be lower of cost or market issues involved in the Company’s inventory of live hogs and developing animals held for sale to third parties as on September 30, 2002. Thus, the urge to go for impairment evaluation is present. (Lower of Cost or Market) However, management must be cautious in acting upon impairment evaluation although expert opinion of impairment evaluators can help increase

Payroll system Essay Example for Free

Payroll system Essay A study or a project of this volume can never be the outcome of a single person or just a mere group of dedicated students. We are indebted to our subject teacher for being the epitome of guidance during the entire project. We are also thankful to our, HOD, Computer science Dept. for their encouragement. Without their help this project would not have seen the light of day. We are happy to present a vote of thanks to them for their sincere advice and co-operation that they have lent us unconditionally. SYNOPSIS : This is in-house system , entirely processed by hand. Where it will used to maintain the set of new employee with salary details, And the calculation of salary. The main output of the system is , to interactively calculate the salary of employee. 1. INTRODUCTION 1. 1 ORGANIZATION PROFILE : We don’t have any big organizational profile as such. We mainly focus on completing our work within the given stipulated time and also fulfilling the requirements of the end user with our software product. 1. 2 OVERVIEW OF PROJECT : The main purpose of the system is to calculate the monthly salary on the basis of the attendance of employee and the entered salary(included all types of tax and deductions). 1. 3 SYSTEM SPECIFICATION 1. 3. 1 HARDWARE SPECIFICATION : CPU -Intel Core 2 Duo E7300 RAM 1GB (MIN) Hard disk 160GB Operating System Windows XP with Service Pack 3 (CHT) 1. 3. 2 SOFTWARE SPECIFICATION PLATFORM : JAVA IDE : Eclipse DATABASE : Microsoft Access OS : Windows 1. 3. 3 SOFTWARE DESCRIPTION : Simple payroll system is implemented in java platform. Main aim of this project is to develop a software application for organization through which they can mange financial information of employees. Using this application organization will manage employee salary. Details are maintained in database for future use. 2. SYSTEM ANALYSIS 2. 1EXISTING SYSTEM : In existing system still many organizations use manual methods for managing employees salary. Payments are given to hand which is not a effective method. This method will not provide pay related information for employees when they apply for bank loans. Also, in existing system it is hard to retrieve old data because data is maintained in records there is chances of loosing data in this method. 2. 2 PROPOSED SYSTEM : In order to solve this problem we will develop a payroll system through which different aspects of employee information is maintained. In our system data is managed in centralized database so retrieving old data is easy. Thus , data is got through a single application. 3. CONCLUSION Thus , the information about the employee can be stored and retrieved at anytime , easily using our simple payroll system. 4. BIBLIOGRAPHY www. google.  com http://docs. oracle. com/javase/tutorial/index. html 5. SCOPE OF FUTURE ENHANCEMENT This project has many future applications like it can be used in any of the Retail Outlet of Any Type companies. This project was build keeping in mind all the requirements of these outlets and they can be implemented in any such type of organization with very few modification. With modifications it can be possible for Employee Attendance to control all retail outlets by connecting them through a network. Because of this software all they need is a Server application and any type of connectivity to that server.

Zora Neale Hurston - Their Eyes Were Watching God :: essays research papers

Their Eyes Were Watching God It is human nature to look for happiness. Some people find it in material possessions, some find it in money, but most of us find it in love. To find true love is a difficult task especially now in the times of cell phones and Jaguars. Money and power play a big role in today’s society, and some people would rather have those things than a love of another human being. In some rare cases it is not even a person’s decision who she (almost every time it’s a woman who is being given away) will marry. Although it does not happen very often, there are still cases where a woman is being married off to a man by an arrangement made by her parents, to insure stability and security of that woman. The standing in the community means a great deal, just like Zora Neale Hurston’s Their Eyes Were Watching God illustrates. Janie, the main character in the book, was raised by her grandmother. Ever since Janie’s mother ran away it was just the two of them living together. As a kid Janie lived in the house where her grandmother was a nanny for a white family. She was treated the same as the white children, they ate together, played together, even got punished together. Janie, unlike most of the blacks at that time, did not see any discrimination while she was growing up. That was the building block of her strong personality. There was some teasing in school about her living in a white folks home, but she did not pay much attention to that. Now if I may go off the subject for a moment I would like to say how beautifully and descriptively the book is written. There is one passage in particular that I truly enjoyed reading : It was a spring afternoon in West Florida. Janie had spent most of the day under a blossoming pear tree in the back-yard. She had been spending every minute that she could steal from her chores under that tree for the last three days. That was to say, ever since the first tiny bloom had opened. It had called her to come and gaze on a mystery. From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom. It stirred her tremendously. How? Why? It was like a flute song forgotten in another existence and remembered again.

Boston Red Sox Management Report Essay

The Boston Red Sox are a privately owned organization located in the Kenmore Square part of the city. The team plays at Fenway Park, located at 4 Yawkey Way in Boston. The Red Sox Front Offices are also located at Fenway Park. The park is currently celebrating its one-hundredth year, and is the oldest park in Major League Baseball The organization is tall in structure but is also departmentalized by function within this structure. At the top of this structure are the three owners, John Henry, Larry Lucchino, and Tom Werner. This ownership group purchased the Boston Red Sox for $380 million in 2002 (Ozanian, 2012). John Henry is the Red Sox’ principal owner, while Larry Lucchino serves as the President and CEO, and Tom Werner serves as Chairman. This departmentalization can be seen one level down in the hierarchy of the Boston Red Sox. Under the owners, there are sixteen different departments. These sixteen departments consist of the typical organizational departments such as Marketing, Legal, Human Resources and Information Technology departments, but there are also several environmentally specific departments. These environmentally specific departments include Ticketing, Baseball Operations, Fan services and Entertainment, and Ballpark Operations. The heads of these sixteen departments report directly to the President and CEO, Larry Lucchino. The Boston Red Sox are privately owned and operated, meaning that they are not sold and traded on the stock market and that all funding comes directly from the owners themselves. The Boston Red Sox gain most of their revenue through ticket sales, as they are known for constantly having a full ballpark while having expesive ticket prices. In terms of sport, market, stadium, and brand management, they are valued at $912 million, the second highest valuation of the thirty teams in Major League Baseball (Ozanian, 2012). I spoke with Stephanie Maneikis, the Senior Manager for Fan Services and Entertainment with the Boston Red Sox. She is in charge of a plethora of different activities and people throughout the organization. These include managing Fenway Ambassadors, Yawkey Way Hosts, and Family Room staff, being he main liaison for the players’ wives and families, executing the pre-game ceremonies that take place prior to each game at Fenway Park, and overseeing the Yawkey Way and concourse entertainment. Stephanie told me that she began working for the Red Sox in 2006 as a Fenway Ambassador. She graduated from college in 2007 and after that, spent the next year working in a part-time capacity. During that year, she proved herself worthy of more and more responsibility. During the off-season of 2008, her manager at the time left the team and she was promoted to a full-time position as Coordinator of Fan Services & Entertainment. After a year as coordinator, she was named Manager, and was recently promoted to Senior Manager. Stephanie graduated from college with a Bachelor’s of Arts and her major was history. She told me that everything just sort of happened and fell into place for her. She likes to say she was in the right place at the right time, but she told me that she knows that she has worked extremely hard to get to where she is today. I asked Stephanie about the working atmosphere within the Boston Red Sox organization. She told me that working for the Boston Red Sox is a lesson in what it means to multi-task. There is never a dull moment and at any given time Stephanie could be working on 5 different projects, all of the utmost importance. It can be stressful, but at the end of the day she feels that it’s all worth it. Her co-workers make all the difference in the world and everyone within the organization feels like they are part of one big family. I also spoke with Kellie Holden, an Elon graduate who currently lives in Duxbury, Massachusetts. Kellie told me that she is a 6th grade special education teacher and she is responsible for teaching students who have reading and language based disabilities. We discussed how she got started with this type of work, and Kellie told me that she has always enjoyed working with children and during her senior year of high school she had an experience volunteering in an inclusion classroom with regular and special education students. Ever since that opportunity she knew that she wanted to be a special education teacher. I asked Kellie how she got her job and what jobs and experiences have led her to her present position. She told me that all of the practicum and student teaching experiences that she had at Elon were great on her resume, but they didn’t help her too much with connections back in Massachusetts. She had a few family friends who knew a few people in the town she currently works in. They were able to pass along her resume and get her an interview. Clearly, having connections is important in all fields, not just business. Finally, we discussed whether she finds her job exciting or boring. She informed that everyday at her job is different. She is always teaching new things which keeps it exciting, but her students make her job the most exciting. Working with special education students, nothing is ever simple but they make her smile every day. Lastly, I spoke with Patty Vattes, the Senior Manager of Human Resources with the Boston Red Sox. I asked Patty what makes a successful hire for the Boston Red Sox. She told me that the Red Sox view a successful hire as someone who is hard working, dedicated, innovative and willing to go the extra mile. Next we discussed the Red Sox’ approach to hiring and whether promoting from within is an important approach for the organization. She informed me that the Red Sox strive on the success from promoting from within. With almost all positions, the Red Sox look at internal candidates first and Patty told me that they are working on methods to improve that process. Lastly, I asked Patty what mistakes she has observed of unsuccessful candidates seeking to work with the Boston Red Sox. Patty said that an unsuccessful candidate with the Boston Red Sox is one who wants to work for the Boston Red Sox in any capacity and does not have a specific skill set or knowledge of the type of job they’d like to have. She told me that there have been many occasions when someone says they’ll do anything just to work for the Red Sox, and that is never a good statement to make. Clearly, like any business, the Red Sox want people with various skill sets and a not someone who just wants the glamour of working for a Major League Baseball team.

Emo Subculture

The Sensitive Subculture A skinny white boy dressed with long black hair, a tight-fitting vintage t-shirt, a pair of torn black skinny jeans and checkerboard converse sneakers walks on stage, strums his skull-covered guitar and sings. Emo is a subculture that heavily relies on emotion, mostly sadness and depression, and takes the emotions to an extreme; emo is short for emotional hardcore. The people in the emo subculture focus on emotion because they do not want to conform to the laid-back popular culture.They express their emotion through a unique music genre, fashion, and a melodramatic attitude in order to distance themselves from the common pop culture. The emo subculture originated from a style of music that mainly focuses on expressing man’s emotions through lyrics about love, anger, and hurt. The music genre conveys women as sexual muses, victimizing the man. While the music of the pop culture welcomes and encourages women sexuality, emo music has made women the origin of emotional pain for men, depicting them as â€Å"heartbreakers. † The music also creates messages about emos feeling isolated.For instance, the image of the album cover for the emo band, silverstein, shows a boy with long hair, wearing tight jeans, sitting alone, and weeping. In their album, Silverstein sings about, love, anger, hurt, and isolation, so the album cover reflects what the music in the album is about. Along with love, anger and hurt, emo music also sings about violence. Blood, kill, dead, hate, and pain are some common lyrics that are used in emo music and are usually directly related to women. The lyrics suggest that women cause pain for men; however, in the common pop culture, men are the ones who are inflicting pain on women.The emo subculture breaks away from this by reversing it. This rebellion is expressed through the emotional music and lyrics of the emo subculture. Along with music, the emo subculture expresses their emotion through a unique recessive fashion. The typical emo fashion consists of skinny jeans, tight t-shirts, zip-up hooded jackets, studded belts, converse or skate shoes, black nail polish, eye liner on both genders, and the notorious emo hairstyle. The typical hairstyle is comprised of long, straightened, black bangs brushed to one side of the face covering one or both eyes.In the second image, the boy’s thick black hair is covering both of his eyes completely. The way his hair covers his eyes, shared with the black shirt signifies how he wants to be secluded, and concealed in the dark. He does not want to see others and does not want others to see him. While the dress of pop culture is very brand driven, baggier, and represents how the culture is open, the slim fitted clothing the emos wear shows how they keep to themselves, focus on themselves, and worry about themselves in order to remain distant from the mainstream fashion.One cannot identify someone as being in a subculture just because of his or her f ashion or musical tastes; the attitude of a person must also be considered. The attitude of the emo subculture can be described as shy, quiet, sensitive, glum, mysterious, self-pitying, and introverted. A typical emo teenager in high school usually sits alone in the corner of the class, keeps to himself, and almost always looks depressed; If he is found with other people, it will usually be with other emos. The subculture has a unique attitude towards life as well.Emos feel that no one accepts them, so they outcast themselves, and view the world around them in a more emotional way. For example, if a common teenager was rejected by a group of people playing basketball because there was already even teams, he would pay casually accept it, and go on with his day. But, if an emo teenager was rejected, he would he would take it personally by assuming it was because they do not socially accept him. Emos tend to over exaggerate the emotions that one might usually feel.They express these em otions through the attitude they have towards life and everyday experiences in order to break away from the pop culture. The emo subculture uses intense emotion to rebel against the common pop culture by over exaggerating the simple emotions one feels in everyday life, showing how they want to be recluse by the way they dress, and singing lyrics of strong emotion. On the stage, the vocalist cries as he sings lyrics of how the woman he loved has left him feeling heartbroken and isolated. Emo Subculture The Emo subculture consists of two distinct groups. The Emo Subculture The term â€Å"Emo† that is now applied to individuals originated as short hand for â€Å"Emotional music† Traditional Emo Sub-Culture This â€Å"emotional music† draws from a broad range of contemporary genres linked with the common consistent themes of emotionally vivid views often associated with adolescence. For many youths of the mid-80s this music functioned as a safe-haven for emotional expression.Over time a subculture was formed around this mutual appreciation and in turn became a safe-haven where youths could freely express themselves while facilitating social interactions and identity formation for these introspective people. From this sprang the Emo subculture that rejected the mainstream in favor of independent performances. Additionally this culture allowed individuals to express their societal views with like minded people, creating the activist stance they are known for today.A s the popularity of the Emo movement grew it became much more accessible to the mainstream industry. Modern Emo Subculture As a result a re-invention of the music and culture was spawned and became the Modern Emo Subculture. While sharing many traits with the traditional Emo this new subculture embraced the mainstream direction of the Emo-music. In time the modern Emo would drift further from it's origins and the previously extreme individualism and non-conformist outlook was replaced with the familiar features of a Trend.This change in outlook paved the way for the signature style Emos are known for today as fans of popular Emo bands began to emulate their idols in both dress and style. The modern day Emo has ironically become heavily influenced by mainstream media and popular figures Emo Influences The Seven P's Marketing to Emos The product we are offering is a clothing range suited to the Emo culture.Product Our product will be differentiated from our competitors in a variety of ways. Our primary method of differentiation will be through the careful establishment of specific product affiliation to key Emo cultural figures and rallying points. We have targeted our approach in this manner to make efficient use of the insular nature of this subculture, making endorsements and sponsorships significantly more effective then those of more traditional consumer bases.The products we offer will also be recognised and differentiated by design. Our products will incorporate patches and logos with popular political, socio-economic and human interest messages much in the same way that many other clothing lines promote bands and groups. It is our belief that the Emo subculture will respond well to the clothing styles with which they are familiar, coupled with the opportunity to express their beliefs and individualism.The price management of the product will be integral to the success of this project Price Entering the Market Place We plan to enter the market in a less t raditional manner in order to take advantage of The Emo's specific traits In the initial stages of our entry to the market we will be undertaking projects to distribute our products at Indie rock music festivals. In particular targeting specific â€Å"up and coming† independent bands and groups Through this we believe we will be able to achieve some portion of the fans devotion to these groups securing customer loyalty while simultaneously achieving our primary goal of brand affiliation.In tandem with this approach we will be selling our products in our own online stores Only after completing our initial placement will our products be offered in retail stores We make this decision with the belief that this approach will generate a sense of exclusivity and hype within the Emo subculture to appeal to the individual nature of our consumer base We are confident that this can be facilitated through the use of social networking sites, in which the Emo subculture is highly active.Pr omotion is one of the cornerstones of our product implementation plan Promotion In addition to this our clothing range will not be separated into the traditional men's and women's categories. Instead we will offer a single androgynous clothing line to match the style and needs of our consumer base. To further facilitate the individuality of the Emo subculture our online stores will allow customers semi-custom design of their purchase through a set selection of logos and logo locations.Allowing customers to choose which message is displayed on what part of their clothing. E. g. A customer may choose to display a pro-vegan logo on the left shoulder or the right breast pocket. We shall be undertaking a number of promotional activities in order to achieve our brand recognition and product affiliation goals. As mentioned in previous sections it is our primary goal to affiliate our products with popular Emo bands and figures, such as Avenged Sevenfold and My Chemical Romance, as well as w ith key concepts and issues important to the Emo subculture.We can achieve this through advertisement at popular concerts either including the acts directly or through banners and posters Additionally we will be hosting giveaway events at concerts with free t-shirts, jackets and other clothing in order to further promote our brand image within the Emo subculture It is also our intention to host sales stalls at charity events with partial proceeds of these sales being donated to the charity in question.Many charity events are popular within the Emo subculture and this is an important opportunity for our corporation to further its image of sharing the same fundamental values as our consumer base. Of course we will also be implementing advertisement activities though social media such as Facebook and Blogging sites. The Emo culture has an active presence on these sites and it represents a cost effective process of engaging our target market.In our dealings with a characteristically exp ressive consumer base it is important to ensure enjoyable interactions People By distributing our products through popular Emo retail stores such as we will be ensuring that the staff will be able to relate to the customer This is important within the Emo culture as fashion is treated as a social statement As we will also be selling our products at concerts, music festivals and charity events, it is imperative we employ staff that can understand and relate to the Emo culture.This has the added benefit of requiring less training for these low level retail positions It is important to make the purchasing process an enjoyable experience Process This is especially true when dealing with such a close-knit and outspoken community. With such specialist products word of mouth could make or break.In order to achieve this we will be focusing on our employees being capable of rapport with the customer and individual opinion on choices as well as the implementation of our online customisation o ptions Emos are characterised as creative and expressive, it is our belief that these customisation options and the ability to discuss their choices with like minded individuals will greatly enhance their experience.Depending upon the success of the customisation function we may implement a custom order system for the independent retailers Physical Evidence Cost plus pricing strategy will be used to target segment with high disposable income Through analysis of the physical evidence we will be able to determine the suitability of our product range Joey Keifouz Ronald Mills Peter Whitehead The Emo Tribe Factors which increase subculture influence Emos and the Macro-environment Demographic environment †¢Increasing diversity: the population in Australia s becoming more ethnically diverse, which increases international exposure through personal relationships. Economic environment †¢Increases in consumer spending: Gross Domestic Product (GDP) grew by 2. 5% over the previous yea r, which translates to an increase in total spending of the same amount. Natural environment †¢Environmental sustainability: Our product will be developed using environmentally sustainable resources.Technological environment †¢Manufacturing innovation: technology is constantly increasing manufacturing capabilities and reducing production costs †¢Social media: The advent of social media has increased advertising exposure for many subcultures including Emo. Political and social environment †¢Increased ethical and social responsibility: product designs are politically influenced and promote messages of responsibility.Factors which decrease subculture influence Emos and the Macro-environment Cultural environment †¢View of nature: the increasing amount of the population which believes in natural responsibility will increase the popularity of our product range. Demographic environment †¢Changing age structure: the average age of the Australian population is s lowly increasing. The Emo subculture is traditionally comprised of older teens and young adults. This will decrease the available market. Demographic environment (cont. ) †¢Geographical population shifts: populations are moving away from capital cities.This not only decreases exposure to Emo subculture, but also decreases advertising effectiveness. Demographic environment (cont. ) †¢More professional population: The rise of professionalism is likely to reduce the popularity of Emo subculture. Economic environment †¢Changes in consumer spending patterns: retail sales have decreased for 2012, eg. From June sales have dropped by 0. 8% Natural environment †¢Environmental disasters: There is always possibilities of natural disasters such as fire and flood which could damage manufacturing capabilities.Political and social environment †¢Changes in legislation: increasing legal restrictions may influence our products. Eg, legislation which bans public political stat ements would cause a sharp decrease in sales. Sales data will be collected from retail and online stores Analysis also reveals success rate of marketing strategies towards Emo segment Online â€Å"secret shopper† to obtain consumer perspective on our product range As a subculture based upon a musical genre the â€Å"non-conformist† Emo may indeed be more heavily influenced then thers Influences upon the Modern Day Emo are not limited to that of high profile bands and celebrities In today's society the Emo is easily recognised by their dark fitted clothing, distinctive hairstyles and overall androgynous approach to fashion. Due to the interconnection of the subculture Emos receive significant influence from their peers resulting in partial feedback causing core issues to self maintain within the society Of this group of peers some Emos have themselves achieved semi-celebrity status as bloggers and rallying points for the Emo subculture

Gilgamesh vs the Genesis Essay Example

Gilgamesh vs the Genesis Essay Example Gilgamesh vs the Genesis Essay Gilgamesh vs the Genesis Essay many years before the Genesis story in about 400 B. C. The writers of the bible probably knew of the flood in Gilgamesh’s story but revised it so as to fit with their own worldview and history. They most likely intended the original story with their own mythology. Despite the many similarities between the two stories, the differences are revealed in a number of different lines that distinguish the two versions from each other. In both versions of the flood, something angers the gods (in Gilgamesh) and God (in Genesis). â€Å"The uproar of mankind is intolerable and sleep is no longer possible by reasons of the babel. The reasoning for the flood in Gilgamesh seems very irrational. The Gods decide to destroy mankind because there are too many people in the world and they are making too much noise. : It seems that the gods didnt think over their decision wisely. Being they are the gods, one would think they possess the power to come do a different means of resolving this problem instead of just destroying mankind. In Genesis, there is a much more acceptable reason for God to eliminate mankind. The humans are so wicked and evil that It repented the Lord that he had made man on the earth, and it grieved him at his heart (Gen. 6:6). He says: I will destroy man whom I have created from the face of the earth. . . (Gen. 6:7). God destroys mankind because it has become evil and corrupt within. This is not a quick irrational decision on the part of God, but a very well thought out and logical decision. It is definitely much better reason for the destruction of the human race. Another major difference is something that most often is overlooked by many people; the presence of demi-gods and great heroes during this time period. In the story of Gilgamesh, the gods allow half-god half-human beings to exist on earth. They were still apart of the Golden Age, which was presided over by Saturn. This was when the final structures of the Olympian Gods, men, animals, and the underworld were still being risen up. Great heroes like Gilgamesh, even though he came much later, still existed. In Genesis the Golden Age was completely over. There are no more heroes that were alive on the earth. These giants in the earth (Gen. 6:4) were the sons of God and of the daughters of men, but they were only men of renown in the old days (Gen. 6:4). These giants in the earth had become earlier and were destroyed long before the flood happened. A very important similarity is how many people the gods in Gilgamesh and God in Genesis choose to save from the flood. In both stories one good man, Utnapishtim (from Gilgamesh) and Noah (from Genesis, is saved and chosen to build an ark or boat. In Gilgamesh, Ea warns Utnapishtim in a dream that he must help the human race survive. In Genesis, God decides to destroy everyone but Noah, who found grace in the eyes of the Lord (Gen. 6:8). Noah becomes the source of salvation for the creation of man in the future. He is also the symbol of Gods mercy and grace. Both these men are symbols that God and Ea want the good in mankind to survive. By doing this they give the human race a chance to survive. Another major difference between the two stories is how the floods began and how the whole event ended up. In both a great storm rages and wipes out everyone and everything except the passengers onboard the boat/ark. In Gilgamesh, the gods cry and that creates the incredibly destructive flood. The great gods of heaven and hell wept. The rains last for 6 days and 6 nights in the Gilgamesh version, and finally when the waters receded the boat landed on Nisir. The boat is on the mountain for seven days. This is one of many instances where the number 7 is used in context to the flood stories. It is a mystical number symbolizing when gods and men interact. In Genesis, God sends down the flood with his divine power. After seven days the waters of the flood were upon the earth (Gen. 7:10). Here the number 7 is used again for the interaction of God and Noah. The rain lasts a lot longer in the Genesis version then in the Gilgamesh story. The rain was upon the earth forty days and forty nights (Gen. 7:12). As the waters receded, the ark landed on Mt. Ararat. It is here for approximately two and a half months more until the other mountain tops surface. In both stories you have the same basic storyline, but as one can see the smaller details are much different. In both stories when the ark or boat is floating around the endless sea, Noah and Utnapishtim send out birds. Utnapishtim sends out hree different birds while Noah sends only two out. First, Utnapishtim sends out a dove but it returns. The same thing happens when he sends out a swallow. Finally when he sends out the raven it finds land and eats, so it does not return. I loosed a dove but finding no resting-place she returned then I loosed a swallow, and she flew away but finding no resting-place she returned I loosed a raven and she did not come back. Noah sends out a raven once but i t doesn’t find land. He sends out a dove twice and the second time it does not return. The two men send these out in order to find land. Each one of these birds has a significant meaning. The swallow lives around farms and it is sent out to find dry land for agriculture. In Genesis, the dove brings back an olive branch, and that symbolizes peace. Peace would mean that the punishment by God has finally ended. Ravens were looked upon as the messengers of the Gods. It only makes sense that the messenger of the gods in the Gilgamesh version helps Utnapishtim find land. In both versions of the story birds that represent certain good things in life were used. The final main similarity between the two stories comes at the end. Noah and Utnapishtim both show proper reverence to the gods and are rewarded. Utnapishtim offers a sacrifice to the gods, but Enlil becomes very angry because he is excluded from this sacrifice and that Utnapishtim escaped his wishes for all man to be destroyed. Ea convinces Enlil that Utnapishtim escaped on his own and then Enlil grants Utnapishtim the gift of immortality. In the Genesis story, God orders Noah to leave the ark. Noah then gives god a sacrifice. God makes the first covenant of the Hebrew Bible with Noah. Then finally, in both versions a sign is given to show that the gods and God wont destroy the earth in a flood ever again; a rainbow in Genesis and a necklace in the story of Gilgamesh. When comparing the stories of the flood within the Story of Gilgamesh and The Genesis, one can find many similarities and differences. The way these two stories portray comparisons within each other show how stories are carried throughout history and are adapted by the people of that time to fit their history and worldviews.

Bald Soprano Research Paper

Now these people with no concrete definition to their being are to live in this gigantic world to the best of their ability. Their lives aren’t normal ones. Ionesco brings out the absurdity in his characters by excluding any solid foundation or motivation for living on earth. One very important form of guidance on life’s journey is Time. If there was no concept of time then all chaos would ensue and no one would know when anything is to be done. It is also a key factor to know how to live and work alongside time: to work with it, not against it. Will they be able to live in some sense of normality or will they be off on their own supernova to be absurd for evermore. Through the use of symbolism, irony and dialogue, Eugene Ionesco’s, The Bald Soprano conveys the idea that life is a never-ending cycle to express the absurdity of the human condition. The cycle of life is symbolized through the clock to reveal that the characters are stuck in an endless loop of time. The clock seems to take on a life all its own. It seems to decide when it wants to ring and how many times. The clock rings in a way that is quite shocking to the audience. This is because in the real world a clock does not normally ring 17 times. Nor is it normal for it to shoot out random times that don’t even go in order. In only one moment â€Å" The clock strikes seven times. Silence. The clock strikes three times. Silence† (The Bald Soprano 2). There seems to be no set regimen for time to follow. Time in the play is unorganized and almost absent in its common purpose. In no possible way could these characters even have the smallest possible chance of some normal routine when they have no constant to guide them through. Yes, Time is present but it is not the way in which we calculate it. There is no repeating pattern in this aspect and yet it still proceeds on which causes an endless loop of lunacy from which they cannot escape. The peculiar thing about it is the characters are not even finding it odd, as this is their notion of normalcy. In the play â€Å"the abnormal is treated as if it were thoroughly normal† (knowlson). And its funny because they don’t even realize that it never rings the same way or goes in a repeating pattern. The clock is random. It intrudes illogically. There is no logic in the Smith’s lives. The concept of reality is being distorted and no ounce of sense remains. The characters are flat, broad and general, which clearly emphasizes the absurdity of the human condition: trying to find a meaning and purpose to life. Even the primary characters last name, which is Smith, is so plain and typical. The plays cyclical structure accentuates repetition of the illogical happenings in the incompatible world in which the Smiths, Martins, the Maid and the Fire Chief live in. The play includes a â€Å"circular trajectory that ends where it began† (Kraus), thus causing the whole disordered cycle to start over and where the characters are involuntarily perplexed for all eternity. The characters live in a world of irony. They are lost in a continuum of memory loss without even realizing that they are losing their minds. Considering they don’t realize, they have no recollection of what has been going on around them and therefore not knowing what their purpose is in being where they are. This constant back and forth concept is for one, ironic because they have no memory of no longer having memory, but it is also mind-boggling. Mrs. Smith says, â€Å"We were expecting them. And we were hungry. Since they didn’t put in an appearance, we were going to start dinner without them. We’ve had nothing to eat all day† (The Bald Soprano 4). Mrs. Smith said she and Mr. Smith were going to eat but they didn’t. The characters can’t even remember what decisions they made and can’t remember to follow them. There is no stable element to guide them along a steady path. In the real world our memories our like our personal book of stories that hold the events that have happened in our lives. It defines us as a person of who we are in the past as well as who we are now. We as humans also interpret things we experience differently and remember things in different ways. Though we rely on our memory and mind quite heavily, who says it is a reliable resource to begin with? Ionesco is pointing towards the idea that our minds can’t possibly do everything for us as well as remember anything and everything we want it to. Unreliability of the memory is a concept that Ionesco wants us to take a look at, and that is a natural human failure that is part of our absurdity. As seen in The Bald Soprano the mind isn’t always a dependable tool that is conducive to everyday living. Our experiences make up our life’s journey and define our being. Ionesco’s characters do not know who they are and their purpose for living. At the end of the play the two couples switch places. The Smiths become the Martins and the Martins the Smiths. This results â€Å"in a da capo conclusion [with] the words that had been spoken by the Smiths at the beginning of the play [are now being spoken by the Martins]† (Knowlson). It’s ironic how they repeat the story but as different people but with the same name, because what is the purpose of having a name and being somebody if anyone can be anyone? Ionesco brings out inconsistency, which is a major factor in the play and possibly a factor in our lives. Without consistency the lives in which we lead would lack substance and meaning. Ionesco suggests the idea of a normal daily schedule in which a human being can follow and keep order is a necessity. The human condition may seem absurd at times because what really is the point in doing the same thing everyday for as long as we live? The answer is, the consistency in the constant never ending cycle is life, which is why we are living. There may be nonsense in the play but somehow it leads to sense. The ironic statements due to memory loss show the absurdity in which humans possess. Mr. Smith is one who can be categorized as so. Without his memory he puts out ironic phrases without even putting thought to it and this leads to a lack of sentence structure. The play is made up of dialogue that sometimes seems to lack a sense of logic. The language in the play decreases in substance as the play progresses. The â€Å"language flows independently from meaning† (Feal). The words are not communicating what they seem to say but rather the underlying meaning, which is found in the way the language is used or how really how it is informally used. Language and meaning march to the beat of a different drum. The words are separate entities that work independently yet together to convey Ionesco’s view on language, which is that it is made out to be more than what it is really worth. Language is used as a communicator and the order, or lack of it, in which words are placed, conveys a message of pure insanity. The characters â€Å"actions contradict words, and [their] words contradict [their] actions. Even the title is misleading, since there is no bald soprano in the play† (Esteban). Ionesco writes where there is meaning in no meaning, so he probably intended on writing with meaning all along. The characters talk just to talk and they really have nothing of importance to say. As the play drags on while the structure becomes less and less until dialogue has lost all value and â€Å"made into mere exchange† (Knowlson). The words on the page are out of content and have become particles of matter that are floating in the air. The more they talk, the less they are actually communicating and this is causing the precious tool of language to no longer articulate. Like when Mr. Smith states â€Å"The pope elopes! The pope’s got no horoscope. The horoscope’s bespoke† (The Bald Soprano 17). The play starts out with sentences that make no sense at all then it breaks down to just words without meaning until finally all that is left is a bunch of frenzied sounds. The characters have gotten quite angry that they lost all ability to communicate that their chatter swells up into mushy sound. They live in a never-ending cycle of insignificant discourse. This is Ionesco pointing out the absurdity of how humans converse. The Bald Soprano is a piece under the genre of the Absurd. It is very easy to see why. In this genre a common aspect is that the characters are rapt in an endlessly repeating cycle. This cycle usually leads nowhere as it is a cycle with no beginning and no end. Ionesco uses this cycle to emulate life. Life is filled with a bunch of meaningless things that fill our everyday lives. Banana. When something is of meaning we know because we have experienced the everyday typical life of a human. Broadway. Dreams. Goals. That’s what we are. Well that’s what we should be. Life is pretty much repeating. Repeating. Repeating. Repeating. We have a set way of doing things and we follow it. We repeat these actions to fill up our lives with substance so that there is at least something there to start with and so that we have the ability to move forward and continue. Think of it as muscles. Muscles give our body substance to stand up and it is what allows us to move as well as other necessary functions. In our world we use a clock to stay in touch with time. Time. Timing. Bad timing. Time is a fundamental concept that guides humans through life, gives structure, as well as ages and heals. We also say funny things sometimes and we do use a language to communicate. It is how we use all these things that matters. Bald Soprano Research Paper Now these people with no concrete definition to their being are to live in this gigantic world to the best of their ability. Their lives aren’t normal ones. Ionesco brings out the absurdity in his characters by excluding any solid foundation or motivation for living on earth. One very important form of guidance on life’s journey is Time. If there was no concept of time then all chaos would ensue and no one would know when anything is to be done. It is also a key factor to know how to live and work alongside time: to work with it, not against it. Will they be able to live in some sense of normality or will they be off on their own supernova to be absurd for evermore. Through the use of symbolism, irony and dialogue, Eugene Ionesco’s, The Bald Soprano conveys the idea that life is a never-ending cycle to express the absurdity of the human condition. The cycle of life is symbolized through the clock to reveal that the characters are stuck in an endless loop of time. The clock seems to take on a life all its own. It seems to decide when it wants to ring and how many times. The clock rings in a way that is quite shocking to the audience. This is because in the real world a clock does not normally ring 17 times. Nor is it normal for it to shoot out random times that don’t even go in order. In only one moment â€Å" The clock strikes seven times. Silence. The clock strikes three times. Silence† (The Bald Soprano 2). There seems to be no set regimen for time to follow. Time in the play is unorganized and almost absent in its common purpose. In no possible way could these characters even have the smallest possible chance of some normal routine when they have no constant to guide them through. Yes, Time is present but it is not the way in which we calculate it. There is no repeating pattern in this aspect and yet it still proceeds on which causes an endless loop of lunacy from which they cannot escape. The peculiar thing about it is the characters are not even finding it odd, as this is their notion of normalcy. In the play â€Å"the abnormal is treated as if it were thoroughly normal† (knowlson). And its funny because they don’t even realize that it never rings the same way or goes in a repeating pattern. The clock is random. It intrudes illogically. There is no logic in the Smith’s lives. The concept of reality is being distorted and no ounce of sense remains. The characters are flat, broad and general, which clearly emphasizes the absurdity of the human condition: trying to find a meaning and purpose to life. Even the primary characters last name, which is Smith, is so plain and typical. The plays cyclical structure accentuates repetition of the illogical happenings in the incompatible world in which the Smiths, Martins, the Maid and the Fire Chief live in. The play includes a â€Å"circular trajectory that ends where it began† (Kraus), thus causing the whole disordered cycle to start over and where the characters are involuntarily perplexed for all eternity. The characters live in a world of irony. They are lost in a continuum of memory loss without even realizing that they are losing their minds. Considering they don’t realize, they have no recollection of what has been going on around them and therefore not knowing what their purpose is in being where they are. This constant back and forth concept is for one, ironic because they have no memory of no longer having memory, but it is also mind-boggling. Mrs. Smith says, â€Å"We were expecting them. And we were hungry. Since they didn’t put in an appearance, we were going to start dinner without them. We’ve had nothing to eat all day† (The Bald Soprano 4). Mrs. Smith said she and Mr. Smith were going to eat but they didn’t. The characters can’t even remember what decisions they made and can’t remember to follow them. There is no stable element to guide them along a steady path. In the real world our memories our like our personal book of stories that hold the events that have happened in our lives. It defines us as a person of who we are in the past as well as who we are now. We as humans also interpret things we experience differently and remember things in different ways. Though we rely on our memory and mind quite heavily, who says it is a reliable resource to begin with? Ionesco is pointing towards the idea that our minds can’t possibly do everything for us as well as remember anything and everything we want it to. Unreliability of the memory is a concept that Ionesco wants us to take a look at, and that is a natural human failure that is part of our absurdity. As seen in The Bald Soprano the mind isn’t always a dependable tool that is conducive to everyday living. Our experiences make up our life’s journey and define our being. Ionesco’s characters do not know who they are and their purpose for living. At the end of the play the two couples switch places. The Smiths become the Martins and the Martins the Smiths. This results â€Å"in a da capo conclusion [with] the words that had been spoken by the Smiths at the beginning of the play [are now being spoken by the Martins]† (Knowlson). It’s ironic how they repeat the story but as different people but with the same name, because what is the purpose of having a name and being somebody if anyone can be anyone? Ionesco brings out inconsistency, which is a major factor in the play and possibly a factor in our lives. Without consistency the lives in which we lead would lack substance and meaning. Ionesco suggests the idea of a normal daily schedule in which a human being can follow and keep order is a necessity. The human condition may seem absurd at times because what really is the point in doing the same thing everyday for as long as we live? The answer is, the consistency in the constant never ending cycle is life, which is why we are living. There may be nonsense in the play but somehow it leads to sense. The ironic statements due to memory loss show the absurdity in which humans possess. Mr. Smith is one who can be categorized as so. Without his memory he puts out ironic phrases without even putting thought to it and this leads to a lack of sentence structure. The play is made up of dialogue that sometimes seems to lack a sense of logic. The language in the play decreases in substance as the play progresses. The â€Å"language flows independently from meaning† (Feal). The words are not communicating what they seem to say but rather the underlying meaning, which is found in the way the language is used or how really how it is informally used. Language and meaning march to the beat of a different drum. The words are separate entities that work independently yet together to convey Ionesco’s view on language, which is that it is made out to be more than what it is really worth. Language is used as a communicator and the order, or lack of it, in which words are placed, conveys a message of pure insanity. The characters â€Å"actions contradict words, and [their] words contradict [their] actions. Even the title is misleading, since there is no bald soprano in the play† (Esteban). Ionesco writes where there is meaning in no meaning, so he probably intended on writing with meaning all along. The characters talk just to talk and they really have nothing of importance to say. As the play drags on while the structure becomes less and less until dialogue has lost all value and â€Å"made into mere exchange† (Knowlson). The words on the page are out of content and have become particles of matter that are floating in the air. The more they talk, the less they are actually communicating and this is causing the precious tool of language to no longer articulate. Like when Mr. Smith states â€Å"The pope elopes! The pope’s got no horoscope. The horoscope’s bespoke† (The Bald Soprano 17). The play starts out with sentences that make no sense at all then it breaks down to just words without meaning until finally all that is left is a bunch of frenzied sounds. The characters have gotten quite angry that they lost all ability to communicate that their chatter swells up into mushy sound. They live in a never-ending cycle of insignificant discourse. This is Ionesco pointing out the absurdity of how humans converse. The Bald Soprano is a piece under the genre of the Absurd. It is very easy to see why. In this genre a common aspect is that the characters are rapt in an endlessly repeating cycle. This cycle usually leads nowhere as it is a cycle with no beginning and no end. Ionesco uses this cycle to emulate life. Life is filled with a bunch of meaningless things that fill our everyday lives. Banana. When something is of meaning we know because we have experienced the everyday typical life of a human. Broadway. Dreams. Goals. That’s what we are. Well that’s what we should be. Life is pretty much repeating. Repeating. Repeating. Repeating. We have a set way of doing things and we follow it. We repeat these actions to fill up our lives with substance so that there is at least something there to start with and so that we have the ability to move forward and continue. Think of it as muscles. Muscles give our body substance to stand up and it is what allows us to move as well as other necessary functions. In our world we use a clock to stay in touch with time. Time. Timing. Bad timing. Time is a fundamental concept that guides humans through life, gives structure, as well as ages and heals. We also say funny things sometimes and we do use a language to communicate. It is how we use all these things that matters.

Marketing Planning and Strategy (The buying process)1 Assignment

Marketing Planning and Strategy (The buying process)1 - Assignment Example d to be more efficient and transparent if portrayed in the best stages possible, since it reaches every person with an interest in the commodity through a series of websites. Critically, the following research shall evaluate the buying process of an eBook from the Kindle Store, an online computer application in order to have an advantage in the selling process. Buyers in the contemporary society are likely to seek different solutions including the purchase of books through the online media. Since the business world is expanding, and a very demanding environment is being created for a more improved mechanism of controlling stocks, movement of sales, purchases, and coordination of the petty transactions, businesses have opted for online marketing (Davis, 2011). The Kindle Store management should be strategic to ensure that buyers perceive the presented eBooks as the most appropriate products to solve their problems. The practice is common in online retail stores where the technological need is for the entity to be efficient and effective in terms of performance. Critically, the online Kindle model of selling should clearly indicate the need that can only be met by facilitation of Kindle computer applications in order to create attractiveness and influence decision-making by consumers to the product (Zoltners et al. 2004). The online customers need a lot of information about the Kindle products, in order to make decisions in buying the available eBooks. The process entails the evaluation of the positive advantages of the eBook products, which will enable the customer to decide on whether to buy the products or not to buy while still comparing the eBooks to the available alternatives. However, when a marketer is using a online marketing strategy to enhance the buying process, he should disclose all the information pertaining the effects of using computerized approaches as a way of ensuring efficiency, transparency, and accuracy (Sabri, Gupta, & Beitler, 2007).